From Riots to Renaissance: Bronzeville: The Black Metropolis

If you're trying to find a certain Negro in Chicago, stand on the corner of 47th and South Park long enough and you're bound to see him.

Black Metropolis

From the 1920s through the 1950s, Chicago's South Side was the center for African-American culture and business. Known as "Bronzeville," the neighborhood was surprisingly small, but at its peak more than 300,000 lived in the narrow, seven-mile strip.

Chicago's black population stretched along 22nd to 63rd streets between State Street and Cottage Grove. But the pulsing energy of Bronzeville was located at the crowded corners of 35th and State Street and 47th Street and South Parkway Boulevard (later renamed Martin Luther King, Jr. Drive). At those intersections, people came to see and be seen, shop, conduct business, dine and dance, and experience this bustling black metropolis. The crowds reflected the diverse mix of people living in the black belt: young and old, poor and prosperous, professionals and laborers.

Bronzeville was well known for its nightclubs and dance halls. The jazz, blues, and gospel music that developed with the migration of Southern musicians attracted scores of diverse listeners and admirers. In the 1920s, the Regal Theater opened its doors and hosted the country's most talented and glamorous black entertainers. The community was also home to many prominent African-American artists and intellectuals, including dancer Katherine Dunham, sociologist Horace Clayton, journalist and social activist Ida B. Wells, jazz man Louis Armstrong, author Richard Wright, and poet Gwendolyn Brooks.

Bronzeville's businesses and community institutions Provident Hospital, the Wabash YMCA, the George Cleveland Hall Library, Parkway Community House, the Michigan Boulevard Garden Apartments, Binga Bank, Overton Hygienic Company were more than alternatives to racially restricted establishments downtown. They were pillars of the community which helped to instill pride and contribute to the upward mobility of African Americans.

But Bronzville fell into decline after the end of racially restricted housing. Upper and middle class families moved away, and over-population and poverty overwhelmed the neighborhood. Today, black heritage tours guide visitors to the nine architectural landmarks that remain from the historic community, while neighborhood groups and business interests continue to work toward rebuilding the "city within a city" that was once a national center of urban African-American commerce and art.